Within a short time after their arrival in Massachusetts they had produced their own metrical psalter, the Bay Psalm Book (1640). THE first English-speaking settlers of New England were Calvinists whose tradition of sacred music was governed by a mistrust of musical elaboration and of singing nonscriptural words. RICHARD CRAWFORD Massachusetts Musicians and the Core Repertory of Early American Psalmody Civic Announcements: The Role of Drums, Criers and Bells in the Colonies A Seventeenth-Century Experiment on the Transmission of Sound Table X Musicians Listed in Boston Theater Records, 1796–1797.Table IX Most Frequently Performed Musical Productions in Boston 1792–1798.Epilogue to Secular Music in Early Massachusetts.Table VIII Church and Concert Hall Organs in New England in the Eighteenth Century.Eighteenth-Century Organs and Organ Building In New England.The Musical Pursuits of William Price and Thomas Johnston.Table VII An Alphabetical Index of Core Repertory Tune Titles.Massachusetts Musicians and the Core Repertory of Early American Psalmody.Table VI Eighteenth-Century American Songster Publication by Type.Table V Eighteenth-Century Massachusetts Songster Publication by City.Table IV Eighteenth-Century Songster Publication by States.Eighteenth-Century Massachusetts Songsters.A Musical Gathering: Investigative Steps and Preliminary Conjectures.Keyboard Instruments of the Harpsichord Family.Table III The Use of Musical Instruments.Table II Musical Instruments Found in Sources Other Than Household Inventories.Table I Musical Instruments and Their Owners from Household Inventories of Suffolk, Middlesex and Essex Counties. Social Music, Musicians, and Their Musical Instruments in and Around Colonial Boston.Volume 54: Music in Colonial Massachusetts, 1630–1820: Music in Homes and in Churches.
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